(From an appreciation of 1982’s Conan the Barbarian: “The Thulsa Doom serpent cult in the film was a perfect analogy for the hippie movement, with its focus on converting young people to blood orgies and training them to kill their parents . Though Variety no longer reigns supreme as the inside players’ bible of Hollywood dealing, the trade-magazine ethos thrives in more corners than ever, for readerships more general than a studio town ever defined.—Paul Fileri, Video WatchblogSelf-proclaimed “Perfectionist of Fantastic Video” Tim Lucas is the creator of Video Watchblog, an outgrowth of his cult magazine Video Watchdog (1990-present; 157 issues to date), which itself originated in a series of columns Lucas published across multiple magazines throughout the Eighties. and specific recommendations of films playing in the New York City area.” Since its inauguration in May 2007, Sallitt has maintained a slow-but-steady posting schedule. Nice and very informative post. downloadable software. Thanks! Photographer and designer Kimberly Lindbergs’s blog is a charming little fan site that reflects the ethos of the small ’zines where she began her career. Later, for the short-lived Cinema Magazine, he wrote at length about Boetticher and Rossellini, two filmmakers who almost made the grade (alongside the holy trinity of Ozu, Bresson, and Dreyer) in Schrader’s 1972 book Transcendental Style in Film.—Paul Fileri, Observations on Film ArtFilm scholar David Bordwell is a one-man institution—not only a font of productivity (staple volumes Film Art and Film History, co-written with wife Kristin Thompson, are now in their ninth and third editions, respectively) but a kind of eager, plainspoken ambassador for the field. The site’s authors write the reviews on this site and they give each title a score. Film critic Jonathan Rosenbaum has written several books and for years wrote for the Chicago Reader. Bong Joon-ho’s Parasite proved the big winner this year, landing five awards, including Best Picture of the Year. etc.) Amazing article. As the next-generation heir to Tim Lucas of Video Watchdog (see separate entry), Tooze has maintained pressure on home-video distributors to keep raising the bar of image and audio quality. Websites such as Rotten Tomatoes and Metacritic, seek to improve the usefulness of film reviews by compiling them and assigning a score to each in order to gauge the general reception a film receives. 1) Scribophile www.scribophile.com Simple… Now arrayed with the characteristic accoutrements of fashionable journalistic ventures—feeds for news and blog links, rankings of articles, prominent advertising—indieWIRE has further consolidated its status as an alternative to the industry trade paper Variety. A there any review sites left that rate movies on Language? (What if Orson Welles’s later projects had proper backing? One of the most popular providers of short film reviews in the UK. AICN’s “agents” track down pre-production gossip, aggressively solicit first-look access to promotional materials, sneak in (though by now they’re usually invited) to test screenings—all the while engaging in feverish “What-if…?” speculations. But a tone of reasoned partisanship prevails, even if the site’s “Shot/Reverse Shot” dueling reviews have faded away. Seitz may have started small, but like the film he championed back then, his opus could not be contained.—Evan Davis, Reverse Shot Despite being based on an open-source content management system instead of smudgy newsprint, the audacity of Reverse Shot lies in its “spirit of ’68” adherence to principles of print journalism. There’s no preferred “genre” here other than authenticity; posts might combine images and texts from Costa-Gavras with Kenji Mizoguchi or from Jean-Marie Straub with Charles Burnett. Film Criticism Journal. We all like to be a critic, that’s what makes watching independent films so rewarding. A “Talkies” series of video interviews with filmmakers continues a string of ambitious digital and real-world experiments: a stint providing indieWIRE with reviews, guest-programming movie series, and even arranging for distribution of the documentary A Lion in the House in 10 cities in 2006.—Violet Lucca, Senses of Cinema A veritable institution in the world of online film journals, the 10-and-a-half-year-old Senses of Cinema continues to be one of the most vigorously diverse sources of scholarly research and commentary on the Web. I’m glad to hear you liked the article and found a nice tip to try out., if you need help with anything, we’re here for you. Cinebeats, however, is best utilized for its fascinating photographs of Hollywood royalty. The list of reviews is very interesting, but where can new films be submitted for review? Reader to the Chicago Reader), contributed pieces to Senses of Cinema, and provided several essays for the British DVD imprint “Masters of Cinema”—but his blog doesn’t beat around the bush when it comes to its geographic specificity. The intelligence and equanimity with which Wright treats this much-discussed topic alone makes Wright on Film a valuable resource. Since founders Ed Gonzalez and Sal Cinquemani opened Slant Magazine more than a decade ago, the site has blossomed into one of the most respected film criticism establishments around. Hey Ben, what are the chances that I could get my movie review site listed as honorable mention? At its best, Artforum.com reports and reflects the ways in which the world of cinema and the contemporary art scene increasingly commingle and cross-fertilize.—Paul Fileri, Film-PhilosophyIn the world of online film publications, Film-Philosophy qualifies as a firmly entrenched fixture. His reflections on the site tend to circle back to the changing experience of filmgoing today. Thanks for your kind words! Kenny has always been ambivalent about the position online criticism holds in the cultural discourse. Rate, review and tag films as you add them. In fact, it's very much alive and well. He offers his readers a philosophical, macrocosmic grasp of film today: its marketers, its creators, and its audiences—including his two teenaged daughters and their responses to films both contemporary and classic. But as Sicinski’s ever-increasing fan base will attest, appearances can be deceiving. He sent her his college-paper movie reviews (written 1965-67 and also included on the site), and she helped him get a gig with the Los Angeles Free Press. Since 2004, the site’s team has collaborated with the British DVD company Eureka to produce a Masters of Cinema curated collection, notable for the sterling care taken with each disc and the inclusion of top-notch book-length liner notes. Just a gander at their latest issue (their 55th!) Edited and written (with semi-regular guest contributors) by Doug Cummings, the Los Angeles-based co-founder of Masters of Cinema (see separate entry), Film Journey is less a modest triumph than a triumph of modesty: unaffectedly functional in style, wonkish but never willfully obscure, updated on a schedule that’s leisurely but sustained (Journey has averaged a handful of entries per month for over six years now). Rotten Tomatoes gathers together all of the reviews from top publications and then averages out their scores. His essays delve into the ways in which technology and industrial economics shape our experience of the oft-ignored aural aspects of the films we see (and hear), always taking care to initiate sonic laypeople with generous explanations of technical terms. Smart but accessible, cutting but never cruel, and a true believer in critical debate (“I want to try as hard as I can to understand and be understood”), Emerson makes most critics look like self-involved narcissists impotently talking past one another.—Paul Brunick, The horrors of slavery in America return in Antebellum, an audacious thriller that revives thorny questions of how to portray the past, Susan Sontag, Sweden, 1969; Kino Lorber, DVD & Blu-Ray, More than words: the subtitler of Godard, Assayas, and others talks about the process in this accompaniment to our May-June 2020 Art and Craft article, The Impure Goddess: A conversation with Isabel “Coca” Sarli. They have an extremely wide selection, as well as, urls to sites like New York Times, Newsday and Time Out New York. Hi you provided a lot of good information here..,The one more website about movie reviews_ https://filmfans.in, Really great info admin. This scholar based magazine and website has a vast range of articles, reviews and a blog. The recently deceased critic wrote in-depth reviews on nearly every film released and has an extensive back catalogue. By Since its birth in late 2003, co-editors Helen Bandis, Adrian Martin, and Grant McDonald, along with webmaster Bill Mousoulis, have guided this labor of love (enigmatically named after a 1968 Gérard Fromanger flag painting and Godard collaboration) through 13 issues so far. The history of movies is also a movie; Supposed Aura is not just of the cinema but is cinema.—Dave McDougall, World PictureAimed at the happy few and imbued with sensibilities neither wholly amateur nor professional, World Picture was launched in 2008 by Brian Price, John David Rhodes, and Meghan Sutherland, media scholars and longtime friends split between university towns in Oklahoma and East Sussex, England. For only $10, irlastrilla will write film criticism for your blog or website. Most impressive, as any dedicated digi-critic will tell you, is the community of commenters and fellow bloggers that have responded to Cozzalio’s work: their robust and insightful engagement lives up to Wired magazine’s Web utopianism.—Violet Lucca, Some Came RunningGlenn Kenny was once a respected critic and editor for Premiere until he became a casualty of capitalism’s war on journalism. If only real film schools were as informative and passionate as Strictly Film School.—Cullen Gallagher, Diagonal ThoughtsIn the distant future—when we are nothing more than incorporeal abstractions coded into the algorithmic consciousness of a virtual singularity, or blue-skinned, loin-clothed cybersexing flora and fauna with our FireWire pony tails, or whatever!—I sincerely hope that our post-organic nervous systems will occasionally light up to the archived index of Diagonal Thoughts. Sutherland says that she and her fellow editors began the journal in response to a frustration with the “technological specialization of film and television studies scholarship and with the professionalized styles of writing . Issue two broached the hardly obvious theme of the “Obvious,” while the third considered the slippery issue of “Happiness.” Between the three, you’ll find long interviews with Olivier Assayas and Emmanuel Bourdieu, trenchant essays on Bamako and Adorno, and a charming piece of fiction by Sam Lipsyte called “A Pimple on the Ass of Drew Barrymore Speaks.” Their current issue boasts a bevy of interesting articles wrapped in yet another intriguing title: “Arousal.”—Paul Fileri, Ain’t It Cool News The rise of Harry Knowles’s Ain’t It Cool News parallels the film industry’s increased involvement with San Diego Comic-Con and the rise of Austin’s film scene, from its alternative exhibition circuit (highlighted by SXSW and Knowles’s own Fantastic Fest) to its thriving independent productions. Inheriting a semi-academic critical approach, each quarterly edition has championed a single director or explored an aspect of filmmaking (a single shot, sound, etc.). Jonathan Rosenbaum. How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy Max Bergmann. Check out the eminently useful worldwide DVD release calendar posted on the sharply designed home page and explore five years’ worth of DVD of the Year readers’ polls. Japanese Film Database. November 2020. He is the author of three books: Engaging Film Criticism: Film History and Contemporary American Cinema (2004), Bewitched (2007), and Gilligan’s Island (2012). http://starmoviesplus.com, I like Jellypedia. . CineMetrics is a database that allows everyone from scholars to Joe Cinephiles to generate empirical data about shot lengths and scales in films using user-friendly (and free!) Her are some great tips on writing a great review. Hi, in the July-August 2010 Issue, The Self-Styled SirenClassical Hollywood fetishism has found a most enchanting ambassador. (accessed February 14, 2010) Reviews of popular Japanese films in an English-language newspaper published in Japan. 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